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    Women in art: Patti Smith

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    By Jasmine Mansbridge

    Patti Smith is a writer, performer and visual artist, often affectionately referred to as the “grandmother of punk”. She was born in Chicago on December 30, 1946 and is still touring and creating today. She grew up in rural New Jersey, moving to New York in the 1970’s. It was during these years, living with fellow artist and friend Robert Mapplethorpe, that she soaked up the atmosphere of the 1970’s experimenting with various art forms, including writing poetry and creating artwork.

    My quest for information about Patti went as it usually does, “watching” YouTube clips while I painted, listening to interviews and reading whatever information might be available. I also read Patti’s memoir Just Kids, which she wrote in 2010. The book documents not only her own journey as a young emerging artist, but also her complex relationship with fellow creative Robert Mapplethorpe. Patti Smith’s written work is a pleasure to read. She has a natural way with words. She draws you in to her inner world and connects with readers on many levels.

    On being in a relationship

    Patti speaks openly about the key relationships in her life. Reading books Patti says, shaped her ideals about being female, romance, relationships and freedom.  She was given “The Fabulous Life of Diego Rivera” for her sixteenth birthday and in Just Kids she says, “I imagined myself as Frida to Diego, both muse and maker. I dreamed of meeting an artist to love and support and work with side by side.” These words indicated to me Patti’s romanticised ideal of a relationship.

    Patti and Robert Mapplethorpe’s story is an intriguing one. They met not long after she arrived in New York and their relationship became one that was pretty much based on Patti’s muse/maker ideal. Their common bond as artists meant that they were able to maintain a bond and a deep friendship throughout their lives, even after their physical relationship changed.

    In the early days, Patti worked various day jobs to support Robert while he worked on his art full time. She saw this as her contribution to his career, it wasn’t until later on that she was able to work of her own material full time.

    The passing of time saw Patti and Robert’s relationship change, as Robert came to terms with his homosexuality. They continued to live together and support each other, however, agreeing to do so until such point at which they had both become independent of each other.

    A high point in Patti and Robert’s relationship was the exhibition they had together at the Robert Miller Gallery in 1978. This was to be Patti’s first exhibition in the Gallery and the only time the two exhibited together. After this exhibition, they both went their separate ways, having kept their promise to see each other safely to success. Patti went on the road with her band and Robert’s focus became more and more on his photography, which was bringing him high acclaim.

    Patti’s next significant relationship was with Fred Sonic Smith. Fred and her were both musicians and they met when she was touring. They bonded over a common love of poetry and Patti says it was Fred who she decided to marry in 1980, (the joke was apparently that she married Fred because she wouldn’t have to change her surname).

    Patti talks warmly of her relationship with Fred and their move to the suburbs of Detroit. She said this time had been similar in feeling, to her early days with Robert Mapplethorpe. Starting with nothing but a few favourite things for possessions, and then waiting to see what the future would bring. Patti and Fred went on to have two children, Jackson and Jessie, and settled into a routine dictated by their domestic needs.

    The next space in time was one of deep sadness for Patti. These two important men in her life both passed away. Robert died first of HIV AIDS in 1989 and then her husband Fred of heart failure in 1994. In this same period, Patti’s brother and her pianist also died. At this point Patti decided to take a break from her creative career to focus on bringing up her two children, moving from Detroit back to New York.

    It is truly moving to hear Patti’s first hand accounts of these significant relationships as she shares them in her memoir. It is Patti’s openness and vulnerability that further endears her to her fans. One gathers that in her life Patti loves deeply, loyally and unreservedly. My observations are that Patti has always been an equal partner in her relationships. She talks about relationships in ways that take responsibility for her own actions in them, right or wrong.

    I took away from this the importance of honesty and complete acceptance of another person. To allow each other freedom and space, for both difference and growth. Of course this is always easier said than done. But, as in Patti’s case, the rewards are reaped in having that understanding and room to move, granted to one’s self as well.

    On being creative

    Patti says that as a child she was not gifted, but she was imaginative and that she was rewarded at school for being so. She says of being an artist that, “I had no proof that I had the stuff to be an artist, though I hungered to be one.”  From childhood Patti had devoured books and poetry and she talks about having the sense that there was something for her to say as an artist, and that somehow she would find her voice.

    Patti has ended up a household name for being one of the first “poet” musicians. She was basically a published poet who went on to add rock/punk musical layers to her words. She landed a record deal and released the debut album “Horses” in 1975. Her work subsequently had a major impact on both the punk movement and the associated musical scene, especially in America and England. Patti became an icon to subsequent generations of punk rockers. Patti is also a visual artist and has been represented by the Robert Miller Gallery since 1978.

    What struck me ,the more I researched Patti, is the calm she seems to have maintained about being an “artist”. Even when she felt like she had nothing to show for the fact. She never seems to have appeared anxious or desperate about having her work seen or heard. It seems like her sense of self was always there, unwavering. She credits her association with Robert Mapplethorpe for this attitude.

    In her dress and her manner she never appears to be overly concerned with material things. It is her books and her tools such as pencils and notebooks that she treasures most. These things all speak to me of a deep inner self confidence.

    During the early years of her career Patti seems to have met the right people at the right time. People who encouraged her and gave her opportunities. Patti says in her memoir that at times her success had seemed to come a bit too easily, and that she hadn’t wanted that. Patti actually turned down the first opportunity to publish her poems because she felt she had not earned the right and “the spoils of battle were not yet to be hers”.

    Of all the knowledge I gleaned from Just Kids, there is one quote that will remain for me: “That we are mortal, our work is not, do your best work, let your work stand alone”. This is wonderful advice for any artist at any stage in one’s career.

    Patti has gone on to have a lifetime of achievement. In 2005, Patti Smith was named a Commander of the Ordre des Arts et des Lettres by the French Ministry of Culture and in 2007 she was inducted into the Rock and Roll Hall of Fame, both fitting honours for this artist who has lived true to her ideals of creating original work throughout her lifetime.

    On being a woman

    It is hard to not make a comment about Patti’s appearance. It is one of the things about her that has impressed me. With her strong nose and thin frame, Patti has an androgynous, raw beauty which adds to the uniqueness of her character. Throughout her life she appears to not give a damn about what others think. The original “messy hair, don’t care” girl. I see much of a current “it” girl, Alexa Chung mirrored in her look. Rail thin with bangs and over sized t-shirts (I wonder what Patti thinks of that?).

    Patti often describes herself as having been an outsider and a wallflower in her youth. As a young girl she found the changes in her body as she grew, awkward and unwanted.  She says she wished she could have stayed a child forever, just like Peter Pan.

    In her role as artist Patti has never made an issue of her gender. She talks about this as being a deliberate act on her behalf, so she could be a kind of “third” gender. She sought to call attention to herself as an artist, not as a woman. Patti simply dressed and performed in the spirit of her male rock and role models, as if no alternative had ever occurred to her. In the process, she obliterated the expectations of what was possible for women in rock, and stretched the boundaries of how artists of any gender could express themselves. Patti saw her music as a way to be genderless and many of the lyrics of her songs are ambiguous with regards to meaning and sexual references.

    Another fact about Patti that I found interesting is that she was not a drug user.  And I am not alone in presuming that with her waif like appearance and with the culture of drug use in her time, that she would of been “on” something. Her peers back in the day also presumed she was a drug user. Patti didn’t even smoke, although she modelled for photos with a cigarette to perfect a “look”. Patti had the occasional high, but had always felt that drug use wasn’t for her. Patti is the perfect example of why stereotyping people is unfair (and perhaps her choice to not use drugs is a contributing factor in her success even today). Patti was a women who blazed a trail for many other artists to follow.

    On being a mother

    Patti says that she had felt it a cruel betrayal of nature when after a brief experience with another boy as inexperienced as herself, she found herself pregnant at age nineteen. She speaks beautifully and poignantly of this time in her memoir. She went on to have the baby, adopting it to a couple who could not have a child of their own.

    When she became a parent again later in life, Patti took the role seriously, leaving the professional music scene to take care of her children. I admire her decision to do this and once again it speaks of her confidence in herself and in her abilities as an artist.

    Patti says that it had been perfect timing for her and Fred to marry and for them to become parents. She had started to feel like she had accomplished her mission with her music and that there was no more room for growth just being on the road.

    Later on, after her husband Fred’s death, Patti was left a sole parent to her children. Patti says that her years spent mostly at home being domestic were not wasted and had made her a better human being. Upon reflection she states that being a mother had made her more empathetic and more knowledgeable about the world. That the discipline of caring, cooking, cleaning and washing etc had been good for her. It was also in this period that she began to focus on her writing. Piecing together the story that was to become her memoir.

    There is a beautiful quote from “Just Kids”, when Patti talks about being pregnant with her daughter Jessie and visiting Robert for the last time before he passed away. He was gravely ill and she had travelled from Detroit with Fred to New York to spend time with him. Patti recalls, “Within that moment was trust, compassion, and our mutual sense of irony. He was carrying death within him and I was carrying life. We were both aware of that, I know.” 

    Patti remains close to her children, they are both musicians and she performs with them on stage when she has the opportunity. She says that through them she feels the presence of their father Fred and that they have been a wonderful gift to her life.

    Things to learn from Patti Smith…

    When you see Patti performing her music in all her rock and roll glory, you only see one side of her. Dig deeper and her writing and speaking reveals a very different side. Patti talks about this contradiction and says it is true, she is as comfortable screaming down a microphone as she is cooking dinner for her children, or curled up reading a book. She is the same person doing all these things. I found this interesting as it is something I wrestle with sometimes myself, the contradictions within ones self. These contradictions Patti says give her the platform to create meaningful work.

    I could go on, but in short, here are the most useful things from I gleaned from Patti’s story:

    • Remember to keep focused on doing your best work as an artist (not always the most popular work).
    • Try not to get caught up in being competitive with other creatives and be creative in whatever way comes to you.
    • Avoid wanting the “celebrity” of art, without the work and the sacrifice.
    • Remember that it may take a lifetime to work out what it is you want to say, and that what you want to say might change.
    • Be prepared for hard times as well as good times.
    • Be independent as a women, but also being able to love and be loved.
    • Don’t let being a women affect your work or how you allow yourself to be perceived.
    • It is okay to put your family first when needed.
    • You can step back from your creative career and still be successful long term.
    • Be your own wise counsel.
    • You are mortal, your work is not, so make your work your best.

    For more about Patti Smith, check out this video, and this one, and this one; this article at The Guardian; some info about Fred Sonic Smith; and of course, her memoir, Just Kids

    ————-

    Jasmine Mansbridge is a painter and mum to five kids. She regularly blogs about the intersection of creative work and family life at www.jasminemansbridge.com, and you can also find her on Instagram @jasminemansbridge.


    Posted by: Tess McCabe
    Categories: women from history, women in art | Comments Off
    Posted on

    How to work from home with kids

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    By Emma Clark

    The ‘juggle’ of working motherhood has become a bit of a cliché, but when your days involve filling sippy cups while simultaneously emailing clients on your phone and trying to stop a baby chewing through your laptop cord, it certainly does feel like a circus.

    As I’ve mentioned in previous posts, my husband and I run a handmade furniture business together, so we use a combination of grandparents, crèche and flexible work hours to care for our two young sons. This works well for us at the moment, but the wheels often fall off and I regularly find myself needing to work from home while the kids are around. It can be a challenge – there’s been plenty of of nappy changes on meeting room floors and client calls while playing Lego, but I’ve managed to come up with a mish-mash of solutions that work for our family, and may work for yours too!

    Get a routine
    By routine, I don’t mean a steadfast, inflexible schedule. Just having a regular order to your day makes things much easier for you and your kids. Having a routine helps kids feel secure, and helps you feel like the chaos is at least somewhat under control. I usually try and get any errands or kid’s activities done in the morning so I know we can be home for my youngest son’s afternoon nap. Speaking of naptime…

    Naps are sacred
    There is no one as productive as a parent who is working during a kid’s naptime. Having a time limit on your work can make you super-efficient and forces you to concentrate. I sometimes manage to complete as much work in the two hours that my son is napping as I could in a whole day of being in the studio. You can save up any phone calls, designing or work that requires your full attention for those magic hours. Grab a cup of tea, scribble out a list, then power through it. Try to avoid any distractions (ahem, Instagram) and hammer out as much work as you can in that time.

    Embrace technology
    This is obviously a personal decision, but popping Play School on the iPad keeps my older toddler occupied while my younger one sleeps… and I can get some work done. Watching TV or playing with an app can also save the day if you need to take your kids to a meeting, or make an important call that you can’t be interrupted for.

    However, technology can be a double-edged sword. Being able to get your emails on your phone at the playground or order materials online while pushing a pram is a lifesaver for many working parents. On the flipside, it can be hard to constantly switch from building a block tower to emailing a client, and you can end up feeling like you are not really present either with work or with your kids. Setting limits is a good idea, for your own sanity and for your kids. I try not to use my phone in front of my little guys unless it’s really necessary.

    Recruit apprentices
    Depending on what kind of work you do, you can let your kids ‘help’ you work. This is particularly great for any kind of hands-on creative work. My older son has a mini workbench set up at our furniture workshop and can happily spend hours hammering away. If you are working on a computer, give your kids some pens and paper so they can ‘work’ too. Office supplies make awesome toys! A stack of Post It notes, a highlighter and a holepunch can easily entertain a toddler for enough time for you to get some work done.

    Be creative
    Sometimes, no matter how organised you are or how independent your kids are, you have a deadline and you really just need to work. This is when you can get creative and call in back up. Ask a friend to hang out with your kids for a couple of hours so you are free to work (and return the favour!). Take your kids to the playground and explain that you are going to make phone calls while they play. Work from the library or a café on the weekend while your partner takes over kid duties. A photographer friend of mine takes her kids to an indoor playcentre with free wifi so she can edit while they run around for a few hours. Like everything to do with parenting, no one solution will work every time, so it’s a good idea to have a few back up options.

    Relax
    No matter what you think of Disney’s Frozen, sometime you do just have to “Let it go, let it goooooooo!” Your house will probably be messier than usual, you might not get as much done as you planned, and your kids (and you!) might still be in pyjamas at 3pm. That’s okay. Nobody is a perfect parent, and nobody is a perfect creative business owner. Working from home with kids is hard work, so embrace the chaos and remember, tomorrow is a new day.

    Emma Clark is an interior designer, writer and podcaster who, alongside her husband Lee, runsGratton Design, a timber furniture and architectural joinery company. She blogs at Worst House Best Street and posts endless photos of her sons on Instagram at @emmamakesthings.

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    Posted by: Tess McCabe
    Categories: business tips, my advice | Comments Off