I always wanted to be an artist. As a teenager, I had romantic notions of living in a studio surrounded by canvases, paint, red wine, and cigarettes while I suffered for my art. I lived this dream for a while when I moved out of home and undertook a Fine Art/Visual Arts degree straight out of high school. I rushed through my early foundation classes in sculpture and silver-smithing, awaiting my longed-for painting instruction. Alas, after undertaking my foundation course in painting I realised that my love of arts and passion for creating weren't enough. I was surrounded by amazing artists, I was invisible to my lecturer, and my work was far below my expectations. I hadn't learnt yet that comparison is the death of joy. I didn't know not to compare my "chapter one" to someone else's chapter twenty. I just felt a sense of failure and fear. And as a seventeen-year-old living in a world of adults, I assumed the answer was to drop out.
I’m so pleased that a friend and fellow student talked me out of such ideas, so pleased that I stuck it out. I fell in love with and majored in my next foundation area: intermedia (a mixed-media approach to fine art). Here I learnt how to become an artist: how to question, see, experiment. I was given free rein over photography equipment and a darkroom. I learnt early Photoshop and built a website, created sculptures and installations, journaled, and exhibited my work. I still didn't know what I was going to “do” when I grew up, but I trusted that I would work it out.
To complete my degree, I needed to tick off two final classes. My financial situation had changed by this point, and studying silver-smithing became a viable option. It seemed like an enjoyable way to meet the requirements of the degree. After three years at Uni, these last two classes actually decided my future, for it was here that I found my medium and decided to become a jeweller. I fell in love with the rigidity and flexibility of metal. I was enthralled with the techniques and history of the practice. It was sculpture in miniature, designed to be worn. It was craft, art, and a trade. The day after I graduated I started applying for jewellery apprenticeships. I wanted to be a “real” jeweller, with a secure, guaranteed income as I learnt the craft, and the ability to create work and exhibit in my own time.
Finding an apprenticeship is no easy task. I spent the next several years working in jewellery stores as a sales assistant, getting whatever time and training I could at the jewellery bench and learning anything else I could in the process—from pearl threading to Diamond grading, gem identification to antique hall marks. I learnt sales strategies, stocktake, and stock and package ordering. I met suppliers and went to industry launches and trade fairs. I took a twelve-month jeweller vocation course at the Goldsmith school. I worked with several jewellers and finally started an apprenticeship, only to lose it when the business ran out of capital. After all this time, effort, and learning, I still wasn’t a real jeweller.
By the time I took maternity leave with my first child, I was so burnt out on the jewellery industry that I settled in to being a stay-at-home mum and didn’t touch the tools in my workshop for more than eighteen months. Eventually, I made a silver pendant as a gift for a friend. Then I made my sister a pair of earrings. Online sales platforms like Etsy and Madeit were taking off and friends suggested I sell my jewellery online. So I did, as a hobby.
With hindsight, I can join the dots, but at the time I couldn’t see the forest for the trees. The thought of starting my own business hadn’t occurred to me. I thought I would return to the workforce as a jewellery sales assistant and keep trying to get an apprenticeship, chasing the elusive dream of becoming a “jeweller.” I thought receiving my apprentice certificate would remove the imposture syndrome I felt. But as I kept making and selling my jewellery, I realised that the certificate was only important to me. When people brought my pieces, they didn’t ask if I was a “real” jeweller, self-taught, or a bit of both.
Change came rushing in after listening to Clare Bowditch speak at a Big-hearted Business morning tea. I had begun tossing up the possibility of selling my wares at a local craft market in a school hall, still with a hobby mindset. Clare encouraged us to get out pens and paper and write down where we wanted to be in five years’ time. For the first time, it clicked that in five years’ time I could still have a hobby—or I could own my own business. I decided to apply for that craft market! After the event I chatted with creative business owners and shared my revelation. They were pleased, but offered another revelation: don’t aim small. Find the best market around for what you want to sell, and apply for it. That day, a fire was lit inside me that still hasn’t gone out.
My hobby became a business the moment I decided to treat it like a business. I had to embrace fear and question my belief that I wasn’t the sort of person who could own a business. I applied for the Brisbane Finders Keepers market and spent the next couple months making stock and learning everything I could about business. I launched Christina Lowry Designs in November 2013 at Finder Keepers.
Now in my fourth year in business, I consider myself not only a “jeweller,” but a designer, mentor, and businesswoman. Everything I have learnt, from my fine arts degree to my sales work, has been incorporated into Christina Lowry Designs. I define my own work life balance. My family is my priority. My passion and drive continues. I believe in lifelong learning. I read, listen to podcasts, collaborate with other creatives, and take courses. And every day, I am so glad I took the leap and went out on my own.
Photos by Trudi Le Brese Photography for Christina Lowry Designs
Christina Lowry is a designer and jeweller who makes fine jewellery for creatives. Her work is featured in several Australian galleries, as well as in her online store. Christina fell in love with jewellery making while studying a Bachelor of Fine Art/Visual Art. Each piece is lovingly made by hand in her Brisbane workshop, incorporating precious metals and gemstones, using traditional metalworking techniques.